Monday, March 31, 2014

#nofilter

Ringling College of Art and Design and the Two Columns Gallery are proud to present #nofilter A Fine Arts Senior Thesis Exhibition featuring the works of Katie Aucoin, Bianca Rylee, and Hunter Slade. The title #nofilter references our society’s obsession with social media, and how Instagram turned everyone into overnight artists, photographing their every waking moment. The decision to not add a filter to the photograph, thereby not altering it’s imperfections and mediocre reality, is then stamped with a #nofilter. All three artists’ approach their work with a similar mindset; creating the work in the moment, with raw and unfiltered content and emotion. This show consists of a wide range of media including painting, printmaking, and sculpture. 


Please come to the Opening Reception Friday, April 4th, 6 - 8 PM.  The exhibition is open April 4-April 12.  There is also a panel discussion with the artists, Wednesday, April 9th, 11:00 AM - noon.  Gallery hours are Wednesday-Friday 12-3pm and Saturday 11am-4pm.



Tuesday, March 18, 2014

Between


“Between” is a Fine Art Senior Thesis Exhibition by Adrian Harris, Cutter Hume, Jacquelynn Barli, and Makary Malinouski.

Please come to the Opening Reception March 21, 2014, 6-8pm.  The exhibition is open March 21- 28.
Gallery hours are Wednesday-Friday 12-3pm and Saturday 11am-4pm.


"Between" is an exploration of ways of perception and paradigms through the physical processes of art making. Interpreting, observing, representing, seeing, touching, forming, moulding are the actions that weave a thread through their works. Each of the artists creates between states, whether it is through abstraction and representation, touch and sight, standard and alternative, or figure and ground.

About the artists:
Cutter Hume's sculptures are about the metaphorical “running the gauntlet” and arriving at a similar yet different conclusion.  These works serve as a way to cheat said gauntlet and come prepared with the needed knowledge to beat it.  Cutter seeks to explore this circumventing of standard thought through the use these objects.

Makary Malinouski depicts objects on a canvas cloth. In and of themselves, there is no inherent power to the mundane objects, but rather the power is found in placing them and representing on an illusory space, in which everything that is depicted, is done so by the choice of the artist. The presence of the unpainted white canvas serves as a constant reminder of this illusory quality and detaches one of the containment of a still-life through inward rather than outward means. The video serves as a dematerialization of the process, underlying the ephemeral quality of the space, while suggesting a more objective plane in comparison to painting.

Adrian Harris makes work to address the fluctuation of meaning and meaninglessness within our experiences. The abstract forms he paints are suggestions of representational images which the viewer uses to interpret meaning. Each viewer interprets different representations; where one sees a child at play another sees an animal eating, then both come to a conclusion of what these depictions could mean. However, it is often the case with Adrian’s work that neither the depictions nor their meanings actually exist; it’s just paint. His intention is to address the role subjectivity plays in the creation and interpretation of meaning

Jacquelynn Barli’s body of work explores concepts of connection through ambiguous figural abstractions of touch. Jacquelynn chose a group of women who have touched her life, using an image of their face as well as her own to create each figure. Each piece is built with strong textures and layers. The intention being to show the physical interaction between artists hand and the textured surface as well as the viewer exploring the materials and underlying layers up close and personal.