Tuesday, September 16, 2014

Placebo

Two Columns is pleased to present "Placebo" an exhibition featuring photographs from Photography and Digital Imaging seniors Kelly Machado, Mirella Martinez, Rob Fehere, Ferenc Belaznay, Abril Sicarios and Jose Zavarse.  Please come to the reception on Friday, September 19, 6-8pm.  The exhibition will be open to the public September 15 - September 26, 2014.

Placebo aims to deconstruct the surplus of photographic stimulus in the media by giving a saturated experience to the audience yet involving content that make every photograph a particular viewing experience.




Sunday, August 31, 2014

Assiduous Applications


Two Columns is pleased to present "Assiduous Applications," an exhibition featuring the artwork of Faculty and Staff from the Fine Arts Department at Ringling College of Art + Design.  Please come to the reception on Friday, September 5, 6-8pm.  The exhibition will be open to the public September 3 - September 12, 2014.

The exhibition includes recent artworks by Jeff Schwartz, Vicky Randall, Claudia Cumbie-Jones & Lance Ford Jones, Shawn Pettersen, Nathan Skiles, Patrick Lindhardt, Michael Wyshock, Hugh Davies and Mark Anderson.






Monday, August 11, 2014

Flying a Sign


Two Columns is pleased to present "Flying a Sign", a solo exhibition of artworks by Sally Pettibon.  Please come to the reception for the exhibition Friday, August 22, from 6-8pm.  The exhibition is open August 20 -29.  Gallery hours are Wednesday through Friday, 12- 3pm, and Saturday, 11am- 4pm.

Ms. Pettibon is an internationally exhibited photographic artist with numerous exhibitions and awards including Los Angeles Center for Digital Art, CIAC Gallery in Brittany France, Florida Center for Contemporary Art in Tampa, FL. Contemporary Art Museum at the University of South Florida, Ringling Museum of Art and the Appelton Museum of Art. Her work is included in the permanent collections of the Ringling Museum of Art , Center for Fine Art Photography and the Pont Aven School of Contemporary Art. Private collections in New York, California, Connecticut, and Florida.

Ms. Pettibon has been a full time faculty member of the Photography and Digital Imaging department at the Ringling College of Art and Design since 2003. She has taught at the Pont Aven School of Contemporary Art in France and is a former staff photographer for the Sarasota Herald-Tribune and freelance editorial photographer in New York and Florida.





Friday, April 25, 2014

Call Me When You Get There

"Call Me When You Get There" is the final exhibition and send off for sixteen senior Fine Arts majors majors and minors! This exhibition includes works in sculpture, painting, video, printmaking, and drawing.

Artists in Show: Jacquelyn Alexis, Katie Aucoin, Javier Aparente, Shannon Chong, Lauren Eisenburger, Adrian Harris, Cutter Hume, Natalie Lerner, Makar Malinouski, Leah McMacken, Maggie Moody, Jennifer Pappas, Paige Ramsay, Bianca Rylee, Zachary See, and Hunter Slade. 

Please come to the opening Friday, April 25th from 6-8pm.  The exhibition is open April 25 - May 3, Tuesday-Friday, 12-3pm, Saturday 11-4.



Saturday, April 12, 2014

Motion Machine

Two Columns is pleased to announce Motion Machine, an exhibition of time-based artworks from students at Ringling College of Art and Design.  Please come to the reception Friday, April 18, from 7-9pm.  The exhibition is open April 15-19, 2014 during regular gallery hours, Tuesday – Friday, 12-3pm and Saturday, 11-4pm.

Featuring artists: Corey Allen, Muriel Holloway, Jennifer Pappas, Alexis Macchia, Anastasia Rostarchuk, Nadia Valenti, Ben Stoddard, Miguel Diaz, Peggy Blount, Alexander Keller, Joshua Hines, Lauren Eisenburger, Tammy Zeitler, Danielle Colon, Maurice Mullinax, and  Hunter Taylor Slade.



Monday, March 31, 2014

#nofilter

Ringling College of Art and Design and the Two Columns Gallery are proud to present #nofilter A Fine Arts Senior Thesis Exhibition featuring the works of Katie Aucoin, Bianca Rylee, and Hunter Slade. The title #nofilter references our society’s obsession with social media, and how Instagram turned everyone into overnight artists, photographing their every waking moment. The decision to not add a filter to the photograph, thereby not altering it’s imperfections and mediocre reality, is then stamped with a #nofilter. All three artists’ approach their work with a similar mindset; creating the work in the moment, with raw and unfiltered content and emotion. This show consists of a wide range of media including painting, printmaking, and sculpture. 


Please come to the Opening Reception Friday, April 4th, 6 - 8 PM.  The exhibition is open April 4-April 12.  There is also a panel discussion with the artists, Wednesday, April 9th, 11:00 AM - noon.  Gallery hours are Wednesday-Friday 12-3pm and Saturday 11am-4pm.



Tuesday, March 18, 2014

Between


“Between” is a Fine Art Senior Thesis Exhibition by Adrian Harris, Cutter Hume, Jacquelynn Barli, and Makary Malinouski.

Please come to the Opening Reception March 21, 2014, 6-8pm.  The exhibition is open March 21- 28.
Gallery hours are Wednesday-Friday 12-3pm and Saturday 11am-4pm.


"Between" is an exploration of ways of perception and paradigms through the physical processes of art making. Interpreting, observing, representing, seeing, touching, forming, moulding are the actions that weave a thread through their works. Each of the artists creates between states, whether it is through abstraction and representation, touch and sight, standard and alternative, or figure and ground.

About the artists:
Cutter Hume's sculptures are about the metaphorical “running the gauntlet” and arriving at a similar yet different conclusion.  These works serve as a way to cheat said gauntlet and come prepared with the needed knowledge to beat it.  Cutter seeks to explore this circumventing of standard thought through the use these objects.

Makary Malinouski depicts objects on a canvas cloth. In and of themselves, there is no inherent power to the mundane objects, but rather the power is found in placing them and representing on an illusory space, in which everything that is depicted, is done so by the choice of the artist. The presence of the unpainted white canvas serves as a constant reminder of this illusory quality and detaches one of the containment of a still-life through inward rather than outward means. The video serves as a dematerialization of the process, underlying the ephemeral quality of the space, while suggesting a more objective plane in comparison to painting.

Adrian Harris makes work to address the fluctuation of meaning and meaninglessness within our experiences. The abstract forms he paints are suggestions of representational images which the viewer uses to interpret meaning. Each viewer interprets different representations; where one sees a child at play another sees an animal eating, then both come to a conclusion of what these depictions could mean. However, it is often the case with Adrian’s work that neither the depictions nor their meanings actually exist; it’s just paint. His intention is to address the role subjectivity plays in the creation and interpretation of meaning

Jacquelynn Barli’s body of work explores concepts of connection through ambiguous figural abstractions of touch. Jacquelynn chose a group of women who have touched her life, using an image of their face as well as her own to create each figure. Each piece is built with strong textures and layers. The intention being to show the physical interaction between artists hand and the textured surface as well as the viewer exploring the materials and underlying layers up close and personal.