Two Columns announces its final exhibition, "Transformations," featuring the artwork of Fine Arts students from Ringling College of Art and Design. This exhibition will be open from April 15 from until May 1, 2015.
Please come to the opening on Wednesday, April 15 from 6-8pm. Regular gallery hours are Wednesday-Friday 12-3pm and Saturday 11-4pm.
Two Columns is located at 1947 Ringling Blvd in Sarasota, Florida.
Two Columns
Ringling College of Art + Design
Monday, April 13, 2015
Monday, March 30, 2015
Perspective & Paradigm
Two Columns Gallery and the Fine Arts Department at Ringling College of Art and Design invites you to Perspective & Paradigm, a senior thesis exhibition by Danielle Colón, Mackenzie
Vartanian, Yilmaz Sazak, Tammy Zeitler, and Sara Brady.
Through utilizing
the mediums of painting, sculpture, and digital imagery, the artists present a
diverse range of work concerning the mental and physical spaces individuals
choose to occupy. We are living in a fast-paced world where many moments and
issues can be overlooked, intentionally or otherwise. Perspective &
Paradigm was conceived not from a desire to answer questions, but to
create them.
Monday, March 16, 2015
Echo
Two Columns is pleased to present ECHO, an exhibition featuring the works of Corey
Allen, Carrianne Bullard, Dana Dojka, and Kyler Duhé. This exhibition consists of a
dozen pieces highlighting concepts relating to both acts and processes of repetition.
ECHO is presented through multiple mediums, including: video, installation, painting,
and printmaking. For artists Duhé and Allen, their practices rely upon recurring rhythmic
gestures found in motions like painting (for the former) or sewing (for the latter) in order
to create their individual artworks. Similarly, Dojka is a printmaker who utilizes the
methods of duplication and replication inherent to the medium to optimize her imagery.
Finally, in many ways, Bullard simply redefines the effort by relying on the emulation of
natural processes in sculpted images.
ECHO is formed from diverse personalities which share a collective motif. This presentation explores how four emerging artists delve into personal motivations to display the slippage of recalled memories, naturally occurring structures over time, the vulnerability and strength captured in intimate portraiture, and the creation of a spontaneouslyformulated experience. Their work focuses on generating a personal sensation for the viewer that echoes the intent of the artists upon close examination.
Allen was born in Sarasota, Florida, Bullard born in Lakeland, Florida, Dojka born in Tampa, Florida, and Duhé born in New Orleans, Louisiana. They are all receiving their BFA from Ringling College of Art and Design in May 2015.
The reception for the artists will be held on March 20 from 7:00 - 9:00 pm. The show will be open March 17-21.
ECHO is formed from diverse personalities which share a collective motif. This presentation explores how four emerging artists delve into personal motivations to display the slippage of recalled memories, naturally occurring structures over time, the vulnerability and strength captured in intimate portraiture, and the creation of a spontaneouslyformulated experience. Their work focuses on generating a personal sensation for the viewer that echoes the intent of the artists upon close examination.
Allen was born in Sarasota, Florida, Bullard born in Lakeland, Florida, Dojka born in Tampa, Florida, and Duhé born in New Orleans, Louisiana. They are all receiving their BFA from Ringling College of Art and Design in May 2015.
The reception for the artists will be held on March 20 from 7:00 - 9:00 pm. The show will be open March 17-21.
Tuesday, February 17, 2015
Curb Appeal
Two Columns Presents the thesis show of
Fine Art majors Maurice Mullinax, Stephanie Kroth, Jackson Ray Petty, Miguel
Diaz III and Jose Carlos Zavarse Pinto. Curb Appeal explores the theme of coded
experience through introspection. Whether the experience is fabricated or
not, it is evident that all of the artists strive to observe an unfamiliar
consciousness or authentic perspective that may help create a better
understanding for both the artist and viewer. In a show such as Curb
Appeal several similarities in artistic intentions are pursued while allowing
each artist to continue pushing the boundaries of their chosen medium.
Maurice strives to explore the recreation of his identity and subsequent
evolution to that of a studio artist. His works draw attention to
the solitary existence of the artist that and how he maintains a balanced
connection with our counterparts. Miguel Diaz explores an artificial experience
under the guise of Trigga Miggz. The paintings and prints of Trigga Miggz are
exaggerated in content while still relating to the disconnection between users
and their portrayed self in social media.
Artist Stephanie Kroth, depicts
important moments of personal history by visually defining them through
documenting structural and organic landscapes. Her recent works are derived
from the idea of being perceptive of everyday structure that visually aids to
an idea of mental mind mapping that define her current environment.
Jackson Ray Petty’s paintings explore
intention through reflexivity by depicting the plan as well as the execution.
Through specific focus on figure-ground relationships and material
consideration, Jackson questions the relative authenticity of experience.
Jose Carlos Zavarse Pinto’s work stems
from the meeting place between observation and contemplation. Both of them
share a space in which selective abstraction of observed scenes are then
translated into timeless moments through the incorporation of color.
The exhibition will be open from February 23rd to February 27th
with the closing reception on Friday, February 27th from 6 pm to 9 pm.
Monday, February 9, 2015
Journal
Journal is the Senior Thesis Exhibition of Careth Arnold, Glenna Dame
Baker, and Peggy Blount. The exhibition includes works of
painting, ceramic, and assemblages. The works create an exhibition
representing the exploration and documentation of the artists’ personal
experiences, ideas and reflections.
Journal will be open at Two Columns Gallery February 10 -‐ 14 with a reception February 13, 7-‐9pm.
Journal will be open at Two Columns Gallery February 10 -‐ 14 with a reception February 13, 7-‐9pm.
Gallery Hours:
Wednesday -‐ Friday, noon -‐ 3pm
Saturday, 11am-‐4pm
Wednesday -‐ Friday, noon -‐ 3pm
Saturday, 11am-‐4pm
1947 Ringling Blvd
Sarasota, Florida 34236
For more information or to schedule private viewings please contact us
at journal.senior.thesis@gmail.com.
Tuesday, January 27, 2015
Motion Machine
MOTION MACHINE
Two Columns Gallery is pleased to announce Motion Machine, an exhibition of time-based artworks from students in Experimental Imaging at Ringling College of Art and Design.
Two Columns Gallery is pleased to announce Motion Machine, an exhibition of time-based artworks from students in Experimental Imaging at Ringling College of Art and Design.
Please come to the reception Friday, January 30, from 7-9pm.
The exhibition is open Jan. 28-31, 2014 during regular gallery hours, Wednesday - Friday, 12-3pm and Saturday, 11-4pm.
Featuring artists: Harrison Lemire, Adrian Pumarejo, Mark Orzechowski, Glenna Dame-Baker, Josette Yarn, Kyle Kavanaugh, Tammy Zeitler, Nelson Ledezma Ugalde, Min Park, and Muriel Holloway
Featuring artists: Harrison Lemire, Adrian Pumarejo, Mark Orzechowski, Glenna Dame-Baker, Josette Yarn, Kyle Kavanaugh, Tammy Zeitler, Nelson Ledezma Ugalde, Min Park, and Muriel Holloway
Saturday, November 8, 2014
bamboo scaffolding
Two Columns is pleased to announce bamboo scaffolding , an exhibition curated by guest curator Wassan Al-Khudhairi. The exhibition opens this Saturday, November 8, from 6 to 8pm, and runs until December 5, 2014.
The exhibit features work from students in Fine Arts.
Please come to the opening reception to hear a curatorial statement by the guest curator, Wassan Al-Khudhairi, at 6:30pm This event is free and open to the public.
About the Curator:
Wassan Al-Khudhairi is the Curator of Modern and Contemporary Art at the Birmingham Museum of Art. She holds a Master of Arts with Distinction in Islamic Art and Archaeology from the School of Oriental and African Studies at the University of London with a Bachelor of Arts in Art History from Georgia State University.
Al-Khudhairi was previously Co-Artistic Director at the Gwangju Biennale Foundation in South Korea, where she collaborated on the curation of the ninth edition of the Gwangju Art Biennale. During her tenure, she contributed the exhibition catalogue and a number of essays including Thoughts on Revisiting Histories, an essay for the Gwangju Biennale Roundtable.
Prior to her time in South Korea, Al-Khudhairi served as the Founding Director of Mathaf: Arab Museum of Modern Art in Qatar, which she helped to establish from the ground up. At Mathaf, she spearheaded the development of the institutional vision and strategic plan and initiated the cultivation of community relationships and support of the Museum. Among the exhibitions Al-Khudhairi curated were Sajjil: A Century of Modern Art and Cai Guo-Qiang: Saraab, and collaborated with fellow scholars and guest curators on a number of projects.
She completed the Museum Leadership Institute program at the Getty Leadership Institute at Claremont Graduate University and, in 2014, participated in the Independent Curators International Curatorial Intensive in New York.
Al-Khudhairi has lectured around the world on the subject of modern and contemporary art, specifically related to the Middle East. Other past experience includes positions at the Brooklyn Museum and the High Museum of Art.
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